OHMA EXHIBITS: a collection of interactive oral history encountersMain MenuOHMA Presents: Presence (2026)Annotations on Memory (2025)Our Inheritance (2024)ROⓊTED (2023)Inside Out + Outside In (2022)Listen Here (2021)Accessibility Design NotesStatement on accessibility philosophy, content, features, and functionality.I'm here for a specific exhibit!All exhibits listed by title & curatorRecommendationsPaths to help you choose an exhibit based on your preferencesExplore VisuallyExhibit visualizationsThanks & Acknowledgements
2021 Bio Brandon Perdomo
12021-06-25T19:58:12+00:00Carlin Liu Ziaf35c69e953cd4001ddc41bd48e720246e1701a0841plain2021-06-25T19:58:12+00:00Carlin Liu Ziaf35c69e953cd4001ddc41bd48e720246e1701a08Brandon Perdomo is an interdisciplinary artist from what is currently known as New York City, fascinated with self-reflection and alterity, which are the engines of his interventions. Interested in contemporary politics, ancestral negotiation, and the intricate manners in which the body is perceived in the public sphere, his social practice turns toward stories of radical self-ownership, and what it means to “become.”
This page is referenced by:
12021-05-12T00:27:27+00:00SHEDDINGSOMETHINGSHEDDING (2021)7Multidisciplinary artists join practice and testimony.plain2022-02-15T05:58:40+00:0037.0902, -95.7129Brandon Perdomo01/01/1970 - 04/15/2021
by Brandon Perdomo
SHEDDINGSOMETHINGSHEDDING is space where practice meets testimony, as creatives share their stories of becoming in a reimagining of a salon-style gathering in a digital space. In the first of the Drawing Room Sessions, we meet painter Lazarus Nazario, multi-media artist Sara Meghdari, and cross-disciplinary performer Mx. Sugar Mamasota, who each contextualize their work considering our contemporary moment, the manners in which bodies are perceived in the public and private spheres, ancestral reflection, and radical self-ownership.