OHMA EXHIBITS: a collection of interactive oral history encounters

SHEDDINGSOMETHINGSHEDDING (2021)


by Brandon Perdomo


SHEDDINGSOMETHINGSHEDDING is space where practice meets testimony, as creatives share their stories of becoming in a reimagining of a salon-style gathering in a digital space. In the first of the Drawing Room Sessions, we meet painter Lazarus Nazario, multi-media artist Sara Meghdari, and cross-disciplinary performer Mx. Sugar Mamasota, who each contextualize their work considering our contemporary moment, the manners in which bodies are perceived in the public and private spheres, ancestral reflection, and radical self-ownership.

Enter the exhibit here!

This page has tags:

  1. I'm here for a specific exhibit! Carlin Liu Zia
  2. It's Not About Me (2022) Carlin Liu Zia
  3. Web Carlin Liu Zia
  4. Oral Tradition in the Kitchen: Peruvian Tamales (2021) Carlin Liu Zia
  5. What's the weather? Carlin Liu Zia
  6. Chinatown: The Stories We Cherish (2021) Carlin Liu Zia
  7. bodyhome maker (2021) Carlin Liu Zia
  8. Can we get you something to drink? Carlin Liu Zia
  9. Art, music, creativity Carlin Liu Zia
  10. Photography and Visual Art Carlin Liu Zia
  11. Freedom, liberation Carlin Liu Zia
  12. Fear Carlin Liu Zia
  13. Co-creation & shared learning Carlin Liu Zia
  14. Home, traditions, belonging Carlin Liu Zia
  15. Edited Audio Carlin Liu Zia
  16. Land/place/space as memory capsule Carlin Liu Zia
  17. Embodied listening Carlin Liu Zia
  18. LGBTQIA+, Queer, Gendery Carlin Liu Zia
  19. Performance & liveness Carlin Liu Zia
  20. Longing Carlin Liu Zia
  21. Questions as answers Carlin Liu Zia
  22. Video Carlin Liu Zia
  23. Race Carlin Liu Zia
  24. Speculative Carlin Liu Zia
  25. Collectives & communality Carlin Liu Zia
  26. The experience of being in a body Carlin Liu Zia
  27. Family archives Carlin Liu Zia

Contents of this tag:

  1. Oral Tradition in the Kitchen: Peruvian Tamales (2021)
  2. "Tell me about that world": speculative archives, black feminist listening practices (2021)

This page references: